Album of Celestial Abandon: Difference between revisions

From WikipediNyah
No edit summary
No edit summary
Line 29: Line 29:
The first half of the album mainly focuses on [[Yin]] and [[Yang]] and the war of the dragons, while the latter half performs a timeskip to the main events of the RU, hundreds of years in the future: first to focus on [[Kari]], [[Sketch]], and the [[Messengers (species)|messengers]], then even further in time to House Abaddon, where the AU mostly takes place. A bonus, final track on the album wraps up the story from the first half.
The first half of the album mainly focuses on [[Yin]] and [[Yang]] and the war of the dragons, while the latter half performs a timeskip to the main events of the RU, hundreds of years in the future: first to focus on [[Kari]], [[Sketch]], and the [[Messengers (species)|messengers]], then even further in time to House Abaddon, where the AU mostly takes place. A bonus, final track on the album wraps up the story from the first half.


As the focus of the project shifted to the story, rather than the music itself, initial base compositions of the tracks were not composed by hand, but rather generated using the AI tool AIVA, then manually re-arranged note-by-note and re-performed on a MIDI keyboard by [[NeonWabbit|Darien Brice Dickinson]] using the Native Instruments Kontakt 7 instrument library, and original human-written lyrics and narration were then added and performed to most songs to decrease the amount of AI involvement in the final project, make it "less offensive to human ears", and have it so that anything inspired by the AI-generated output didn't just "sound like a keysmash".
Early temp tracks to serve as inspiration were composed by the AI tool AIVA using different generation profiles, then original human-composed tracks with the purpose of sounding similar to these temp tracks, and using the same instruments as them, were manually arranged note-by-note and performed on a MIDI keyboard by [[NeonWabbit|Darien Brice Dickinson]] using Native Instruments instrument libraries and software, with additional human-written lyrics and narration added and performed to most songs, further changing the way they sound to accomodate the recorded vocals, in an attempt to "reduce the supposed amount of AI involvement in the final tracks to zero".


The album is to be made available for free, as it is fanart centred around characters not owned by NeonWabbit, it includes works generated by AI, and was only made to test the current process of recording, mastering, and releasing an entire album.
The album is to be made available for free, as it is fanart centred around characters not owned by NeonWabbit, and it was only made as another test of the current process of recording, mastering, and releasing an entire album.


== Background ==
== Background ==
Line 47: Line 47:
== Track listing ==
== Track listing ==


Base tracks composed by AIVA (generation profiles listed as genres below); additional composition and arrangement by [[NeonWabbit|Darien Brice Dickinson]].
All tracks composed and arranged by [[NeonWabbit|Darien Brice Dickinson]].


Original lyrics and narration written and performed by Darien Brice Dickinson.
Original lyrics and narration written and performed by Darien Brice Dickinson.

Revision as of 11:23, 17 May 2023

Album of Celestial Abandon
Studio album by
ReleasedTBA
Recorded2023
StudioStudio RGB-Newt
Genre
  • Classical
  • World
Length55:26
LabelFishal Project Records
Producer
CompilerNeonWabbit

Album of Celestial Abandon is a studio album by Neon and the Argie Bees based on the OG RU/AU of characters created by The-F0X. Currently unreleased, it is an experimental mixture of classical and world music compiled into a "rock opera"-like musical concept album that serves as an unofficial interpretation of events inspired by the lore of that universe.

The first half of the album mainly focuses on Yin and Yang and the war of the dragons, while the latter half performs a timeskip to the main events of the RU, hundreds of years in the future: first to focus on Kari, Sketch, and the messengers, then even further in time to House Abaddon, where the AU mostly takes place. A bonus, final track on the album wraps up the story from the first half.

Early temp tracks to serve as inspiration were composed by the AI tool AIVA using different generation profiles, then original human-composed tracks with the purpose of sounding similar to these temp tracks, and using the same instruments as them, were manually arranged note-by-note and performed on a MIDI keyboard by Darien Brice Dickinson using Native Instruments instrument libraries and software, with additional human-written lyrics and narration added and performed to most songs, further changing the way they sound to accomodate the recorded vocals, in an attempt to "reduce the supposed amount of AI involvement in the final tracks to zero".

The album is to be made available for free, as it is fanart centred around characters not owned by NeonWabbit, and it was only made as another test of the current process of recording, mastering, and releasing an entire album.

Background

Composition

Production

Album artwork

Release

Reception

Track listing

All tracks composed and arranged by Darien Brice Dickinson.

Original lyrics and narration written and performed by Darien Brice Dickinson.

No.TitleNotesLength
1."Welcome Yin, Welcome Yang"Genre: Epic World Symphonic1:58
2."The Two Would Spin in Circles All Day"Genre: Mallets & Orchestra3:18
3."Rei Begins to Suspect Yin Might Be Evil"Genre: Strings & Brass1:01
4."YIN IS EVIL!"Genre: Heavy Metal - Djent1:51
5."Yang Confronts Yin"Genre: Ambient Acoustic3:01
6."The Fault Amongst the Stars"Genre: Interstellar4:30
7."But I Thought We Were Friends"Genre: Solo Strings (Fantasy)5:21
8."The Gift of a Dragon's Love"Genre: Christmas1:25
9."Queen Yin Summons Her Dark Army"Genre: Halloween0:49
10."Thus Come Marching Yin"Genre: Epic Dragonborn (Fantasy)1:12
11."A Hundred Tears Later"Genre: Solo Piano (Ambient)3:02
12."Our Secret Place"Genre: Traditional Folk1:27
13."There Will Always Be Darkness Where There Is Light"Genre: Tavern Music2:08
14."The Seperation of Twins"Genre: Solo Piano (Cinematic)2:48
15."Flight of the Messengers"Genre: Solo Strings (Modern Cinematic)2:25
16."Spirit Plane"Genre: Ambient Hybrid5:27
17."Poem of the Princess with a Paper Crown"Genre: Meditation0:32
18."A Typical Morning / What the Staff Have for Us Today"Genre: Strings & Woodwinds3:16
19."Academy Induction Ceremony"Genre: Epic Orchestra (Modern Cinematic)5:13
20."Celestial Abandon"Genre: Solo Piano (Soft Cinematic)3:01
21."Vale Yin, Vale Yang" (or "Harmony at Last")Bonus Track; Based on Welcome Yin, Welcome Yang1:41

Personnel

  •  

Additional musicians

  •  

Release history

Region Date Label Format Catalog

See also

References

External links